England 2007 Journal, Part I

I learned to make this book at a workshop.  The pages are folded 12x12" scrapbook papers and at that time I only had a reasonable amount of 12"x12" paper to work with (as opposed to the very unreasonable amount I now have) so the color scheme was determined pretty much by what I had the most of.  Although I am very happy with the book in general, it turned out to be a bit thick, rather clunky.  The book was made and much of what eventually went in the pockets was prepared before the trip.  After we got home, I decorated the pages, copied over some of the jottings, and added some bits I had at home.



The pages had punched holes and were bound by some elastic ribbon I was lucky enough to find in the perfect colors.  I had been saving a couple of pewter Tudor Rose buttons for just such a project.  The bookplate is also metal.



I feel that I need to explain why the Journal is titled York 5x3, especially since we didn't go anywhere near York.  Our first trip to England, and the Journal from that trip was entitled 'The Great York Expedition - and we did go to York.  When we began planning the second trip, thinking we would go back to Yorkshire, I called it 'York 2'.  Understand that I probably had a dozen Excel spreadsheets preparatory to making the trip and so I needed an umbrella title.  Although we eventually didn't go to York on the second trip, the name stuck and we had started a tradition of sorts.  So the third trip was lazily called 'York 3'.  Then along came the fourth trip in 2000 - what a lark to be able to call it 'Y2K'.  The fifth trip included my son-in-law so there were three of us and it became York '5X3'.  Amazingly enough, the sixth and most recent trip actually included York and was largely centered around a group of old friends visiting all seven of the Betty's Tea Rooms in Yorkshire - so it was York4T...get it?  I am already working on an itinerary for the hoped for next trip - goodness knows when or how - and it does not include York, but I simply have nothing clever yet in the way of a title.

The Vintage postcard I decorated the inside cover with is by the photographer Fred Judge whose cards I collect.  Like everything else I do, the pages and pockets of this book were highly decorated with postage stamps.  I also used rubber stamping and some stickers.  Beer mats made great additions to the pockets.



I took along blank pieces of paper already stamped and tagged, and wrote on them as we traveled.  I tried to capture the little things that made us laugh or caught us by surprise, I wasn't worried about listing exactly where we went or what we did when.  These pockets have another beer mat (I'm awfully fond of cider) and a small brown paper envelope with a pressed oak leaf from the Cotswolds.

And here is a journaling hint for you.  Since customs looks down on bringing any flora or fauna back into the country, I always take a thick paperback for reading.  On the trip I tuck a few leaves, feathers and flowers into the pages and keep it closed tight with a heavy rubber band.  By the time I get home and unpacked, everything is nicely pressed.  No one has caught me yet.....


More notes, one of my best photos, and a notecard.  I used a teabag wrap as a pocket and managed to pull a price tag from one of my small purchases.  I had a small clear envelope that I filled with several small coins.



A playing card from a childrens game, the lid from clotted cream (don't knock it if you haven't tried it), a theatre ticket, and another plastic envelope with another oak leave and a car park ticket.



Tags, notes, pressings, postage stamps, rubber stamps, stickers, a vintage photo, and more postcards.

This is the first half of the book and I will finish in the next post.

Bookmarks - Series 1

Every good book needs a good bookmark.  In spite of the fact that I have a whole jar full of collected bookmarks of all sorts, I most often use an unloved antique postcard.  One of the joys of buying used books is that one sometimes finds a previous owner's bookmark remains - I've found train tickets, theatre tickets and sales slips from foreign countries - which tells me that I am not the only one loath to part with those little paper mementos.

While I am playing around with my photos - editing and enhancing, rearranging, uploading to any site that will take them - I find some that simply do not crop well into anything other than a bookmark shape.  And so I have been 'collecting' them and I have a flickr set devoted just to them: http://www.flickr.com/photos/39450859@N07/sets/72157623342914837/detail/

So I finally converted a bunch of them into photos and spent a couple of afternoons using up paper bits, punching holes, and carefully coloring the cut edges of both photos and papers.

I made forty-four of them and have already given some of them away.  Pretty sure I'll be making another batch before the year is out.

May Ribbon Book

I have spent hours poring over my various books on books, sorting through the hundreds of variations on the scores of bindings, stitchings, and creative permutations.  Eventually a few rise to the top as ones you are a little afraid of, as well as the ones that you just have to try.  I am still avoiding the scary ones while trying to advance my education and skills.  So this month I made two 'ribbon books'. The instructions came from The Handmade Book by Angela James.

The cover and finishing is quite simple, but there is new stitching to learn for binding the signatures together.  I started with six signatures and sewed them together using a running stitch up and back down each signature.  As you add the third signature you begin going back and using a 'kettle stitch' to bind the signatures together.  Typically a proper book has stitching over two or three pieces of tape which are bound into the cover.  In the ribbon book, you use ribbon instead of tape, make slits in the folds of your cover paper and pull the ribbon ends out through the slits, tying them on the outside.  This keeps the book block safely attached to the cover.

For the first book I used lavender text weight paper with some darker sheets and some floral print sheets dropped in here and there.  The ribbon was a heavyweight gauze and I used a stitch pattern for three ribbon ties.  The only problem I had was that the book block didn't feel as snugly together as I would have liked.

Nevertheless, I was so pleased with this first one, I decided to make another one.  This time I used a natural shade paper - text weight but on the heavy side and I used a woven cotton ribbon with only two ties.  I have a friend who recently bought a very nifty little travel trailer and she asked me to keep a lookout for a book that would suit her for a travel journal.  I wasn't far into this book when I realized it was perfect for her.  So I finished this one with travel and nature quotes handwritten on a dozen pages, rubber stamped images in shadow shades on about every third page, and I pulled some of my best postage stamps of plants, animals and trees for another dozen pages.  Finally, I finished the cover with a feather from my precious stash of bits smuggled back from England and used a stamp pad to darken all the edges - both cover and text block.

The feather came from the Tithe Barn in Lacock in the Cotswolds.

I can say with confidence that my friend was pleased with the book and I have an idea for another one with a slightly different theme for someone that was quite envious, so this probably won't be my last ribbon book.

72 Booklets and Counting

In my rash of booklet making, I was able to almost completely use up a small stash of 8 1/2" x 11" art papers I had been saving for....who knows what.  The magazine Somerset Studios publishes several free pages of art paper in each issue and of course, I have saved them all.  Because I needed to cut around the credit printed on the back of each sheet, I wound up making a pair from each paper - one 5" tall and one 4" tall.  I finished them with beads and my regular postage stamp on the back.

As an added bonus, by the time I had used up all the pages that worked for me, I was able to let go of the remaining 8-10 pages and that is one little stash gone.  And just in case anybody is interested, you can easily make 45 booklets in the time it takes to watch four Premier League Soccer (football) games.

Although I have already moved on to my May books, there are about 3 weeks left in the Premier League season, so I will be making a few more booklets, including a couple of variations.

And just a few more...

Like most everyone, I seem to be especially susceptable to sales pitches at 3: in the morning.  Although I readily admit to having a stock of 12"x12" printed paper that rivals most craft stores, only one batch came from one of those late night bouts of insomnia.  This collection was quite large with text weight and embossed cover weight papers - even a few flocked pieces.  There was zebra, leopard, snake, alligator, and ostrich skin as well as two shades of leather and a cowhide.  All of the above came in shades of brown, black, and white as well as, quite amazingly, a bright pink set and a rather chartreuse set.  Like most other things bought from one's TV in the middle of the night, the papers sat on my shelves, untouched, for at least two years.

So when I thought about making matched sets of booklets to use as gifts, they popped into mind.  If I do say so myself, they were just perfect.  So far, I have made six sets of three.  Each set has a 8 1/2 x 5 1/2, a 4 1/4 x 5 1/2, and a 3 x 4 1/2 three-hole bound booklet.  They have a printed lining paper inside the cover and the large one has beads attached to the waxed linen binding thread.  They all have appropriate postage stamps on the back cover.

I can easily finish three sets of three in the time it takes to watch two English  Premier League Football (Soccer) games.  Unless Liverpool is playing, then I spend too much time actually watching the game.

More April Booklets

After I made the small blank booklets it was time to make some larger ones.  These were to be single signature using 8 pieces of 8x11 1/2 paper.  Given that one of my goals is to use up materials I already have stashed, I have made it a general practice to use a decorative text weight or lighter page inside the cover paper.  I am also putting a subject or color matched (hopefully both) postage stamp on the back of each booklet. For these four booklets I also dipped into my stash of paper bits, which included a couple of 'Cinderellas' - stamps that are not actual postage stamps but were made as advertising, or to commemorate something.  I used the five hole booklet binding and waxed linen thread where the thread is tied on the outside and cut to about 1".

These went together very nicely and quite quickly so I plan on making quite a few more.

April Booklets

On my 2007 trip to England, in Winchester,  I bought a pad of paper placemats with maps of London, Paris, New York and Tokyo - lovely paper with pleasant green, blue and tan colors.  I have used a couple sheets in the last four years, but going along with the goal of 'using up' I started this month with five booklets using the sheets as covers.  I used blank white paper for a single signature pamplet with a three-hole binding.  These were made for my book group, inveterate travelers all, just the right size for dropping in your purse and taking notes while traveling or dreaming about traveling.  In keeping with what seems to be becoming a theme with me, I used postage stamps on the inside front page and low on the back cover.

Of course, I kept the one showing the Tower Bridge for myself.