June Pocket Book

I wouldn't want anyone to think I had fallen behind....yet.  My June books were finished well within June, but couldn't be posted as they were gifts for people who do read this blog.  It started with a friend mentioning she was several albums behind in documenting trips to England.  I offered to make her a pocket book, similar to the one I used for my 2007 trip so she could get at least one book behind her by simply putting photos and paper bits in the pockets and adding a minimum of decoration.

As mentioned, I was not completely happy with the pocket book I had made before, so I decided to try and create my own.  I used 12"x12" scrapbook paper - scored, folded, and punched - and rings for binding.  In laying out the folds, which included doubling the edges for strength, I wrote the steps and directions on my sample page and kept it with my other book templates.  While working on the first book, I decided to make similar books for both of her sisters for the gift exchange on our regular "All-England, All-Birthday, Whidbey Island Weekend".

My friend requested her book be in the Union Jack colors of red, white, and blue, so I alternated the colors and folded the pockets as deep as possible while still allowing enough height for the 5X7 photos.  I dug into my stash of England 'stuff' and started her off by loading the pockets with stickers, postage stamps, postcards, tags, and other paper bits. 

I made this with ten pages, which means twenty pockets, and used larger rings for binding.  I suspect when it is full of all the photos, cards and ticket stubs, it will be pretty fat.

The second sister had mentioned that postcards I had given her were kind of scattered around in various places (she is not a collector, just the recipient of cards I just 'know' she needs).  Amazingly I had a group of co-ordinated scrapbook papers that had the word 'postcard' printed in the design of one page so I used it as the cover. I made this book with a shallower pocket since she had no plans to do any decorating, this book was to be totally functional.

For the third sister I had no specific use in mind, but I knew she would put it to good use.  Since she is a crafter, I gave her the deeper pockets in case she chose to decorate the book and I made it in soft feminine colors - which suit her.

The grain of the paper dictated the direction of the design - I would have preferred the stripe be vertical.

The first thing I learned making this book was how important working with the grain was.  With all the creasing and folding, the only fold against the grain had to be the bottom edge, and I creased that rather gently by comparison.  The second thing, which should have been self-evident, was that all measurements had to be PERFECT.  This book allows for no trimming to even things up like blank books with signatures do.  My new pocket book was less bulky than the diagonal fold page, so I was successful in that.

I have at least one more of these to make, also a gift, another travel journal.  It will be taken along on the trip and serve as a repository for collected paper bits and notes during the holiday and then as soon as photos are ready, it will be done.  This one I will get to decorate as well...looking forward to that.

England 2007 Journal Part II

We are now about halfway through this book and it is starting to get pretty full...and that is the problem with this style, as nice as the pockets are, they really don't take as much as I am likely to want to save.  But then, I guess that is my problem.

Pretty much more of the same.  There is a story behind the photo of the performance artist in Winchester on my regular blog here http://animumadvertere.blogspot.com/2011/06/more-winchester.html

I took vintage postcards with me, most made into tags, and wrote on the backs.  I also purchased new postcards and wrote on them.  After I got home, I did prune back some of the paper, largely by only saving relevant parts or front pages.

I must make a confession here, I never did find anything suitable to put in the nifty pocket I attached to the inside back cover.  I am confidant something will come to me - it has only been four years after all.

And of course, the back cover had to have my beloved Tower Bridge, a wonderful rubber stamp by Claudine Hellmuth.

I think I have covered most of the various things I put in the pockets, but here are a few examples:

From the top: one of the vintage postcards made into a tag and embellished with a postage stamp; a rubbing from the church shown on the reverse of the postcard I glued it to; the bill from a hotel with a humorous exchange as we drove into the town; a cartoon I had saved before the trip.



I really didn't take much other than the actual book on the trip.  I took some thin paper and soft pencil for tracing, a glue stick, a couple of fine line pens and as mentioned, blank tags and vintage postcards.  The most important thing is to keep the book with you and when something wonderful or clever or funny happens - write it down immediately, on a card or the bill or the back of a ticket stub.  You can never quite remember them perfectly later, and these are the things that make travel journals special.
Some sample jottings:
   Poetic...The Quiet, the absolute peace and quiet atop Dartmoor, a sheep bleating across the valley, a crow passing by, and occasionally a gust of wind ruffles the gorse.
   Amusing...After I left the shop I sat on the rockery in front and watched the world go by. Then I visited the PO and bought some stamps, then sat on the rockery again for a while.  A sweet old lady who had passed me coming and going stopped and asked me "Are you hatching something dear?  And isn't your bottom cold?"
   A B&B...Period Living & Traditional Homes Finalist - Best Tea Shop 2004-2005.  NO BIG SURPRISE THERE! So far, best pasty, best cream tea, best furnishings, best mattress, best full English breakfast and best host - that would be John - a real charmer.
   Food...Tomato & fresh orange soup with a great hunk of granary bread & plenty of pure Dorset butter - and not one drop spilled on my white blouse.

My June book, which will be posted soon, is a version of a pocket book which I worked up myself considering the things I didn't like about this one.  Like all such enterprises, I solved the problems with this book and wound up with some wholly new ones I hadn't anticipated.

England 2007 Journal, Part I

I learned to make this book at a workshop.  The pages are folded 12x12" scrapbook papers and at that time I only had a reasonable amount of 12"x12" paper to work with (as opposed to the very unreasonable amount I now have) so the color scheme was determined pretty much by what I had the most of.  Although I am very happy with the book in general, it turned out to be a bit thick, rather clunky.  The book was made and much of what eventually went in the pockets was prepared before the trip.  After we got home, I decorated the pages, copied over some of the jottings, and added some bits I had at home.



The pages had punched holes and were bound by some elastic ribbon I was lucky enough to find in the perfect colors.  I had been saving a couple of pewter Tudor Rose buttons for just such a project.  The bookplate is also metal.



I feel that I need to explain why the Journal is titled York 5x3, especially since we didn't go anywhere near York.  Our first trip to England, and the Journal from that trip was entitled 'The Great York Expedition - and we did go to York.  When we began planning the second trip, thinking we would go back to Yorkshire, I called it 'York 2'.  Understand that I probably had a dozen Excel spreadsheets preparatory to making the trip and so I needed an umbrella title.  Although we eventually didn't go to York on the second trip, the name stuck and we had started a tradition of sorts.  So the third trip was lazily called 'York 3'.  Then along came the fourth trip in 2000 - what a lark to be able to call it 'Y2K'.  The fifth trip included my son-in-law so there were three of us and it became York '5X3'.  Amazingly enough, the sixth and most recent trip actually included York and was largely centered around a group of old friends visiting all seven of the Betty's Tea Rooms in Yorkshire - so it was York4T...get it?  I am already working on an itinerary for the hoped for next trip - goodness knows when or how - and it does not include York, but I simply have nothing clever yet in the way of a title.

The Vintage postcard I decorated the inside cover with is by the photographer Fred Judge whose cards I collect.  Like everything else I do, the pages and pockets of this book were highly decorated with postage stamps.  I also used rubber stamping and some stickers.  Beer mats made great additions to the pockets.



I took along blank pieces of paper already stamped and tagged, and wrote on them as we traveled.  I tried to capture the little things that made us laugh or caught us by surprise, I wasn't worried about listing exactly where we went or what we did when.  These pockets have another beer mat (I'm awfully fond of cider) and a small brown paper envelope with a pressed oak leaf from the Cotswolds.

And here is a journaling hint for you.  Since customs looks down on bringing any flora or fauna back into the country, I always take a thick paperback for reading.  On the trip I tuck a few leaves, feathers and flowers into the pages and keep it closed tight with a heavy rubber band.  By the time I get home and unpacked, everything is nicely pressed.  No one has caught me yet.....


More notes, one of my best photos, and a notecard.  I used a teabag wrap as a pocket and managed to pull a price tag from one of my small purchases.  I had a small clear envelope that I filled with several small coins.



A playing card from a childrens game, the lid from clotted cream (don't knock it if you haven't tried it), a theatre ticket, and another plastic envelope with another oak leave and a car park ticket.



Tags, notes, pressings, postage stamps, rubber stamps, stickers, a vintage photo, and more postcards.

This is the first half of the book and I will finish in the next post.

Copper Book: Part One

The second type of book I learned to make had an accordion pleated spine with pages glued in and a ribbon binding.  From this first one, I learned that you need more than one ribbon on the binding and that folding paper into an accordion (or concertina) isn’t as easy as it looks.  I now know the secret is to fold the long sheet in half, then fold each half in half, and so on.

My beautiful daughter had gone from an entire youth spent as a blond to a dishwater blond (my genetics) with red highlights (her Dad’s genetics).  She decided to become a redhead, a startling auburn redhead.  I could not get used to her with auburn locks, even though it was a lovely color.  So in an effort to show her some support I dug out all my copper-to-sepia material, added lots of black, and made her a book.

The cover paper had copper metallic stripes and I used velvet flowers & leaves, vintage buttons, and a tassel made with ribbon, string, yarn, beads, feathers, and a copper garden tag.



Postage Stamps, vintage devotional card, metallic covered eggshells



Dictionary page, beads, rubber stamping, copper letters, copper sheet, clear disc (highlighting the word copper).



Rubber stamping, postage stamp, pressed leaves, skeleton leaf, hand lettering.



Rubber stamping, postage stamps, collage elements, hand lettering.

Wire dress, joss paper.

Vintage postcard, copper photo corners, hand lettering.

More coming soon...